RETOUR EN IMAGES (Cliquer sur les photos pour plus de description)
1
1975, j’ai 20 ans. Je joue dans un groupe nommé « Eventuel ». Tendance King Crimson, Génésis, Yes, Magma. J’ai déjà un synthétiseur depuis plusieurs années. Sur la photo, on peut voir le synthétiseur ARP-2600, le fameux Mellotron (cf. Beatles, Moody Blues, King Crimson), un piano électrique Farfisa, et un piano électrifié Baldwin. Première expérience du studio : enregistrement d’un 33 tours au Studio Ferber à Paris.
1975, at 20 years old. I perform with a band called « Eventuel ». Following the trend of King Crimson, Genesis, Yes, Magma. I’ve already owned a synthetizer for a few years. Shown here are the ARP-2600, aka the famous Mellotron (used by the Beatles, Moody Blues, King Crimson), a Farfisa electric piano, and a Baldwin electrified piano. First studio experience: the recording of an LP at the Ferber recording studio in Paris.
1975, at 20 years old. I perform with a band called « Eventuel ». Following the trend of King Crimson, Genesis, Yes, Magma. I’ve already owned a synthetizer for a few years. Shown here are the ARP-2600, aka the famous Mellotron (used by the Beatles, Moody Blues, King Crimson), a Farfisa electric piano, and a Baldwin electrified piano. First studio experience: the recording of an LP at the Ferber recording studio in Paris.
2
Les années studio en tant qu’arrangeur et musicien. Ici au Studio Abbey Road à Londres
The recording studio years as an arranger and musician. Here at Abbey Road in London.
The recording studio years as an arranger and musician. Here at Abbey Road in London.
3
Avec Yehudi Menuhin. Ma collaboration avec Menuhin a été un évènement particulièrement important, qui a eu de nombreuses répercussions.
With Yehudi Menuhin. My collaboration with Menuhin was an especially important event, which had many repercussions.
With Yehudi Menuhin. My collaboration with Menuhin was an especially important event, which had many repercussions.
4
Avec Yehudi Menuhin. Ma collaboration avec Menuhin a été un évènement particulièrement important, qui a eu de nombreuses répercussions.
With Yehudi Menuhin. My collaboration with Menuhin was an especially important event, which had many repercussions.
With Yehudi Menuhin. My collaboration with Menuhin was an especially important event, which had many repercussions.
5
Avec Yehudi Menuhin. Ma collaboration avec Menuhin a été un évènement particulièrement important, qui a eu de nombreuses répercussions.
With Yehudi Menuhin. My collaboration with Menuhin was an especially important event, which had many repercussions.
With Yehudi Menuhin. My collaboration with Menuhin was an especially important event, which had many repercussions.
6
Ma relation particulière avec Sarajevo. Parti avec un convoi humanitaire en avril 1994, j’y ai composé en une nuit la « Musique d’une nuit à Sarajevo ». A partir de là, un lien très étroit s’est noué avec cette ville. J’ai reçu le Prix Sloboda (liberté) pour la Défense des droits de l’homme et de l’humanisme en Bosnie-Herzégovine.
My special relationship with the city of Sarajevo. Gone with a humanitarian convoy in April 1994, I composed overnight “Music of a night in Sarajevo”. From then on developed a close link to that city. I was given the Sloboda (freedom) award for the Defense of Human Rights and Humanism in Bosnia and Herzegovina.
My special relationship with the city of Sarajevo. Gone with a humanitarian convoy in April 1994, I composed overnight “Music of a night in Sarajevo”. From then on developed a close link to that city. I was given the Sloboda (freedom) award for the Defense of Human Rights and Humanism in Bosnia and Herzegovina.
7
Je partage le titre de Membre d’honneur de la Philharmonie de Sarajevo avec Lord Yehudi Menuhin, Ricardo Muti et Zubin Mehta. A Sarajevo, mes oeuvres ont été jouées, entre autres, devant le Pape Jean-Paul II, et le Président des Etats-Unis Bill Clinton.
I share a position of Honorary Member of the Sarajevo Philharmonic Orchestra along with Lord Yehudi, Ricardo Muti and Zubin Mehta. In Sarajevo my work was performed, among others, in attendance of Pope John Paul II and US President Bill Clinton.
I share a position of Honorary Member of the Sarajevo Philharmonic Orchestra along with Lord Yehudi, Ricardo Muti and Zubin Mehta. In Sarajevo my work was performed, among others, in attendance of Pope John Paul II and US President Bill Clinton.
8
En solo
In solo
In solo
9
Avec le Trio Thema
With the Thema trio
With the Thema trio
10
Avec orchestre
With an orchestra
With an orchestra
11
Accompagnateur, ici avec Smaïn
As an pianist accompanist, here with stand-up comedian Smaïn
As an pianist accompanist, here with stand-up comedian Smaïn
12
Détente après un concert au Parlement Européen avec 2015
Relaxing after a concert given at the European Parliament in 2015.
Relaxing after a concert given at the European Parliament in 2015.
13
En concert au Koweit
Crédit photo : Gabriel Targues
In concert in Kuwait. Photo credit : Grabriel Targues
Crédit photo : Gabriel Targues
In concert in Kuwait. Photo credit : Grabriel Targues
14
En concert
Crédit photo : Gabriel Targues
In concert. Photo credit : Grabriel Targues
Crédit photo : Gabriel Targues
In concert. Photo credit : Grabriel Targues
15
En studio
At a recording studio.
At a recording studio.
16
En studio
At a recording studio.
At a recording studio.
17
« Ivresses de Dionysos » ballet opératique chorégraphié par Eric Vu-An (Opéra d’Avignon 2000)
« Intoxications of Dionysus » opera-ballet choreographed by Eric Vu An (Avignon Opera 2000).
« Intoxications of Dionysus » opera-ballet choreographed by Eric Vu An (Avignon Opera 2000).
18
En 2001, j’ai participé à l’élaboration du recueil «Vaccaï 2000», publié sous l’égide du CNSM de Paris et destiné aux classes d’art lyrique.
In 2001, I contributed to the elaboration of the « Vaccaï¨2000” collection, published under the aegis of the CNSM and destined to opera classes.
In 2001, I contributed to the elaboration of the « Vaccaï¨2000” collection, published under the aegis of the CNSM and destined to opera classes.
19
Un retour à Yehudi Menuhin : création en juillet 2017 de ma « Jungfraü Serenade » au Menuhin Forum à Bern (Suisse).
A return to Yehudi Menuhin : creation in July 2017 of my « Jungfraü Serenade » at the Menuhin Forum in Bern (Switzerland).
A return to Yehudi Menuhin : creation in July 2017 of my « Jungfraü Serenade » at the Menuhin Forum in Bern (Switzerland).
20
Concerto pour piano et trompes de chasse
A concerto for piano and hunting horn
A concerto for piano and hunting horn
21
Conférence donnée à Tours sur l’évolution de la Trompe de chasse vers le Cor d’harmonie
A conference given in Tours, France, on the evolution of the Hunting horn towards the French horn.
A conference given in Tours, France, on the evolution of the Hunting horn towards the French horn.
22
Je collabore également avec le projet d’intelligence artificielle (oeuvres de AIVA enregistrées par moi au piano et publiées sur Itunes, Deezer, Amazon, etc,)
I also participate in the AIVA Artificial Intelligence project (the works of AIVA being recording by me on the piano and published on Itunes, Deezer, Amazon, etc.)
I also participate in the AIVA Artificial Intelligence project (the works of AIVA being recording by me on the piano and published on Itunes, Deezer, Amazon, etc.)
23
Quelques rencontres, à Londres...
A few encounters, in London…
A few encounters, in London…
24
A Ankara
In Ankara
In Ankara
25
A Bruxelles (Thorbjon Jagland, Secrétaire général de la Commission Européenne et Président du Comité Nobel)
In Brussels (with Thorbjørn Jagland, Secretary General of the European Commission and President of the Norwegian Nobel Committee).
In Brussels (with Thorbjørn Jagland, Secretary General of the European Commission and President of the Norwegian Nobel Committee).
26
Avec Madame Françoise Nyssen, Ministre de la Culture
With Mrs Françoise Nyssen, French culture minister.
With Mrs Françoise Nyssen, French culture minister.
27
Avec Philippe André, écrivain, musicologue à la Galerie Stetbay, à Nîmes
With Philippe André, writer and musicologist at the Stetbay Gallery in Nîmes, France.
With Philippe André, writer and musicologist at the Stetbay Gallery in Nîmes, France.
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